A Day in the Life

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white woman with mousy brown hair placing her hands on the back of a white woman with dark brown hair
Performing Medicine Workshop. Image Credit: Imperial Health Charity.
Winning the award for Practising Well was a very meaningful and heartening recognition of the care and attention that we bring to all aspects of Performing Medicine’s work. We were delighted to be able to shine a light on the important contribution of our Associate Artists, their wellbeing and our role in artist development.
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Laura Phillips at The CHWA Gather In, The Herbert 2021
Image: Jenny Harper
I work for both CHWA, and for Derby Museums [...] There’s no such thing as a typical day. I really like the strategic and policy-level thinking, research and development, as well as the face to face delivery and relationship building. No two days are the same and that is one of the highlights of my work.
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An olive skinned woman with dark, curly, brown hair wearing a bright fushia dress sitting on a blue chair outside smiling
Lydia is a multi-disciplinary artist and activist based in London, who's work focuses on building life-affirming relations and systems through radical creativity and collaboration.
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close-up photo of a person with medium-length blond hair smiling ino the camera with a door frame behind them
Louise Campion is Head of Learning & Engagement at the Holburne Museum in Bath and the new Project Lead for our Working Together Programme in collaborations with GEM (Group for Education in Museums). Find out what a day in her life looks like.
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B&W photograph of a white woman with long mousey blonde hair smiling sitting in a chair
Alexis Butt has recently joined our team of Regional Champions, with over 20 years experience of working in arts and culture and currently working as a General Manager for the NCCH, she shares what a typical day for her looks like.
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White woman with dark brown hair wearing a chequered beige shirt facing the camera smiling in front of a brick wall.
Evaluator, researcher and educator, Siân Hunter Dodsworth, talks to us about her exploration of artistic, cultural and heritage practice in improving health and wellbeing both in Mexico and here in the UK.
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White person wearing a green puffer jacket and a grey wooly hat with their left arm stretched out and holding a red mobile phone to their ear with the other
CSA survivor, Arts Activist and Artistic Director, Viv Gordon, speaks to us about how arts and social justice informs their day to day life. Viv will be taking part in one of our panel discussions at the National Conference in October.
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A white male with his hair tied back sitting on a chair in a theatre space with an excitable facial expression alongside a woman wearing all black sitting on a chair looking up towards the ceiling.
Change, Act! CO-Directors Paul Formosa and Charlotte White let us in on what a day in their life looks like ahead of their workshop at the Making Change national conference.
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Close up photograph of middle aged white woman with shoulder length white hair wearing a navy blue round neck top
Our Regional Champion and Age Friendly Creative Manager for Age UK Oxfordshire, Helen Foundation, shares a typical day with us. Helen is part of the Creative Ageing Lived Experience Network (CALEN), who will be speaking at this years conference.
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A white male which a closely shaved head looking to his right amongst a tree blurred background
Ahead of their workshop as part of the Making Change national conference in October, Artist and Performing Recovery magazine editorial board member leon clowes talks us through a day in their working life.
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A female with pink curly hair and sunglasses on her head, sitting in a woodland. She is writing in a notepad and smiling.
So far, no two days at CHWA have been the same, which I really like. There’s a mixture of operational, creative and strategic tasks and it really helps me use every part of my brain. Right now I’m heavily focused on organising the conference, which involves a lot of collaboration with partners and suppliers, so there’s usually at least one zoom call each day.
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A person sitting on a bench smiling, with a fence, mountains and blue skies in the background.
Ute Oswald
My great-grandmother was admitted to an asylum around 1910, and I never found out why, or what her life in the institution was like. What I discovered, baffled me; I came across a wide range of recreations offered to patients as part of a new treatment regime, which really challenged my perception of asylums and their patients.
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a person stands in the right of the frame, smiling and wearing a grey scarf. Behind them is are trees in leaf.
My recipe for a happy healthy day involves a walk, some kind of movement (a two minute kitchen-dance, some stretches or just pegging out the washing) and some meditation.
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a person stands in a kitchen in front of a tiled wall, holding a cup of tea and smiling
Following the birth of her son in 2014, Kheyla founded Mother Nature’s Recipes, a company that focuses on making room for the necessity of self-care in motherhood from a holistic perspective. She also co-founds Birthing In Colour, a charitable organisation that creates safe spaces online for black and brown birthing bodies and volunteers as a Peer Supporter for the Association of Breastfeeding Mothers.
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An etching of a falcon or kestrel and one of its tail feathers
Credit: A falcon or kestrel and one of its tail feathers. Etching by Eliza D. (Wellcome Collection)
Today I have been out on my bike. It is almost a year ago since I made a commitment to myself to go out for a ride every day that I possibly could, and to write something about what I discovered on my ride. The same ride, a different journey, every day, for a year. 
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Ahmed Farooqui in his home studio
Ahmed Farooqui
After working in the voluntary and public sector as project and change manager for nearly three decades I decided to fully immerse myself in my art practice. After a number of years of research based studio practice (sculpture & installation) I became increasing committed to socially engaged art.
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Bini Atkinson Pandemic 1
Bini Atkinson
During the last 15 years my work has centred around my health as I grow older. I’ve documented and interpreted my medical notes/ scans and worked alongside my surgeon in providing evidence for art/creative acts having benefits to healing and wellbeing.
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Alexia Quin
Music as Therapy International
My teens were spent volunteering in a number of different places where I had the chance to explore the relevance of music within care and this led me to set up Music as Therapy in 1995 and to train as a music therapist myself.
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Artist sketch of nursing staff on Covid ward
Paul Digby
I graduated in 1997, although previous to this I had been exhibiting and had met the social psychiatrist Prof Julian Leff who had an influence on my direction...
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Tobore S Dafiaga
Tobore S Dafiaga
Before living my current reality of creative work and aspirations, I had a scientific background, as I was en route to becoming a doctor, and my motto for my life was “I want to live a life of helping people”. However, I found more fulfilment in approaching this life motto from a creative & arts centred approach.
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Trishna Nath
Trishna Nath
I was thrilled to be asked to join the board in May 2020! Prior to joining, I had multiple touchpoints with CHWA, first connected with the organisation when I attended the National Conference, ‘Cultures of Health and Wellbeing,’ at the Great North Museum in March 2019. Inspired by the attendees and speakers, I was keen to make a formal connection with CHWA and was introduced to Victoria in 2019 through a colleague at Nesta. It became clear very quickly that the CHWA’s objectives and values were aligned with my passions and past experience building partnerships between community-based arts organisations and health systems in the US
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a drawing of the lower half of someone's legs on the sand, surrounded by lines in the sand
Viv Gordon Co
We’re planning the launch event and catching up on the related social media campaign #MyLineInTheSand that invites people to post words of hope, rage and solidarity to stand with survivors of childhood sexual abuse (CSA). We’re busy contacting anyone and everyone who can help to promote the work - arts colleagues, survivor charities and survivor artists, activists and academics.
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Amarno Inai
Amarno Inai
" I never put labels on it...whenever I felt bad, or good, I would draw."
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a composite image showing a laptop, a postcard being putin a letterbox, and Loreto with half her face obscured by a yellow balloon
I have been in art and wellbeing practice for a long time. Often my work has elements that hope to bring to discussing wellbeing. But to be more precise I was part of a network meeting at Fiztwilliam Museum Cambridge in 2017, organised by Culture Health & Wellbeing Alliance, where I leant about the work that has been done in the East region and got to meet locals who were interested and/or working already in the health and art sector.
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Dr Sidrah Muntah performing
Dr Sidrah Muntah. Photo: Salam Jones
Although trained as a clinical psychologist, I became interested in the therapeutic value of music a few years ago when I began learning indian raga singing. This is a very meditative spiritual style of singing requiring use of breathing control, focus on keeping the voice steady and being grounded within oneself.
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portrait of Tom George
My current path began in 2013 when I started to started to explore mindfulness and related spiritual approaches to mental health, and since then my creative output has gradually shifted towards creating things that are nurturing and healing in intention. I began running writing workshops incorporating mindfulness, plus regular meditation sessions. I have since worked with lots of organisations who share this ethos, helping people in the community to nurture their wellbeing through creativity, spirituality and generally coming together.
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Self portrait in gouache and fine liner- Ali Bird
Self Portrait, Ali Bird
Working alongside NHS colleagues was enlightening... It instilled in me a desire to take the skills and knowledge I had acquired and use them more widely. This is what I love to do-to encourage people to discover their creativity and the benefits to wellbeing that accompany it.
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Natasha Trotman
Days can range from turbo-charged crafting session, to Makaton-fuelled sensory stories, to coding Raspberry Pis for digital interactions and engagements, to writing a research paper ...My work is broad and varied. I recall a Ted Talk by Emilie Wapnick on the term she coined – ‘multipotentialite’. This comes close to explaining my interests, skill-set and approach.
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A group of teenagers seated on the floor during a workshop run by Claire Newton
Photo by Rich Kenworthy
I do find when I work from home it’s easy to just keep going until you’re exhausted but I make sure I have breaks where I might just sit in the garden with a cup of tea for 5 minutes, do some yoga at lunchtime or go for a long walk at the end of the day to switch off.
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Two children cooking at Norfolk libraries
Kiddy Cook event, Norfolk libraries
Part of my role is ...supporting libraries so they can deliver health and wellbeing activities, ranging from regular groups such as colour me calm, to one off activities like wellbeing days with the library smoothie bike!
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one of Jennie's works of art: Home of the microbes  / Small Planet, children's drawings, vegatable papyrus, waxed paper and recycled perspex, by Jennie Pedley. Part of Art of the Gut residency at the Quadram Institute, supported by public funding from the Arts Council England and Norfolk County Council #artofthegut
Small Planet, children's drawings, vegatable papyrus, waxed paper and recycled perspex, by Jennie Pedley. Part of Art of the Gut residency at the Quadram Institute, supported by public funding from the Arts Council England and Norfolk County Council #artofthegut
My days are spent experimenting with visuals in the studio and exploring scientific/health research ... A few days each term I work as a physiotherapist at a school for Deaf children in London. I also support a young person in my family who recently developed a couple of autoimmune diseases.
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A portrait of Deborah Munt
Ellie Grace Photography
My work is very varied. I love devising...spotting gaps and devising responses...so I tend have one foot in practice and another in strategic development and advocacy, which of course always needs doing. As my friend likes to say...’the fight is real’.
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A portrait of Thanh Sinden
Ellie Grace Photography
As chair of Museum Detox, a network for BAME museum and heritage workers I am particularly interested in looking at wellbeing through building resilience especially for people with additional emotional labour through the intersectional identities they have.
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A portrait of Esme Ward
Ellie Grace Photography
Not sure a typical day exists, no two days are the same and that’s just how I like it! There is always a lot on - mix of supporting, mobilising and connecting with people and always the challenging of balancing inside the building and outside the museum work.
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A portrait of Ben Pearce
Ellie Grace Photography
My work and career has always had an intersection between something creative and something broadly around delivering social policy outcomes – e.g. heritage and participation; the built environment and community-led regeneration; artistic learning, and of course more recently, the visual arts and wellbeing.
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A picture of Rosie Dow
Ellie Grace Photography
One day I will be setting out chairs and making tea in a hospital for a singing for breathing group, the next I’ll be at an NHS research committee approving a physio dance project, then I’ll be at Soho House meeting a potential donor for lunch. Then back to the chairs again.
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Photograph of Evelyn Wilson
It’s so important to raise our heads above the parapet when we can, to get a sense of things afresh. I do this is by going to talks or symposia on subjects I know little about but take a broader interest in. This for me can be enriching beyond words and I’m excited as today is one of those days.
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Ian Solomon- Kawall at May Project Gardens
Ian Solomon- Kawall, May Project Gardens
I have been doing this (May Project Gardens) for 12 years and I'm always inspired by the transformative nature of the work we do with people and organisations.
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Pete Eliot directing a film
Pete Eliot
"Through the making of Instrumental Health, I interviewed so many inspiring people. It really was a massively important experience for me personally as I learnt more about myself and the mental health issues I’ve struggled with in silence for so many years." Pete's new film on anxiety (December 2020) is available here.
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Community is everything! Barbara Bloomfield and Mary Everett (centre and right) lead a Growing Bolder group in Bristol for people over 55 who want to challenge isolation.
Barbara Bloomfield
" I’ve been a counsellor and counselling supervisor for 25 years and in the last decade I’ve moved much more into the world of expressive arts as i think creative expression is so helpful for wellbeing and resilience."
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Rebecca Hearne out on an archaeology trip
Rebecca Hearne
" My PhD is about using archaeology as a form of therapy for people who are living with trauma — I’ve seen first-hand how useful and life-changing it can be, and I can’t imagine myself doing anything else."
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Catsou Roberts on a video screen as part of Julia Scher's project for Frieze
Catsou Roberts on a video screen as part of Julia Scher's project for Frieze
"...the life blood of what we do--the arts that we bring to Barts Health--propels me to visit artists’ studio as well as meetings with potential cultural partners. Vital Art tends to work on more than 20 projects at a time, so each day yields a
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James Dey performing
Flashpop Images
"I’ve always had an interest in how music can inspire, encourage, console and restore people."
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Helen Stewart storytelling at Tatton Park
" My fellow Storyteller and I went into Manchester Children’s hospital to tell stories and were inspired by the courage of the children and dedication of the staff."
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Steven Skelley holding a tin from the Barnsley Canister Company
Barnsley Museums
" Museums do a huge amount of work in health and wellbeing; it is largely about reflecting and telling stories which has an incredibly powerful effect on people."
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Kavina Pound, a biodanza teacher
" I have been working as a Biodanza Teacher since 2011. Most of the work I do with people who are elderly or have disabilities and / or medical conditions."
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Tim Osborn
Tim Osborn
"It can be an amazing learning experience from so many perspectives."
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Frances Chiverton at the Beaney Gallery & Museum
Frances Chiverton
"I started working at The Beaney 6 months ago as the Health and Wellbeing Coordinator. But, I would consider that I first started working in a role that involves working with culture, health and wellbeing when I became a Primary School teacher in 1998 - 21 years ago."
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Angela Awuah
Angela Awuah
“I saw no platform for young people with direct and indirect experience for mental illness, so I created one.”